Winner YDOTY 2009

 
 

Home News Biog Diary Gallery Endorsements Contact & Links

 
 

Despite the British weather giving us the worst in wintry weather conditions for the past 20 years parents and supporters braved the elements to attend the prestigious Young Drummer of the Year event which was held at the Oakengates Theatre in Telford. Bearing in mind weather conditions, they filled this 700 seater venue comfortably.

Young Drummer of the Year, now in its 7th year, has become an institution amongst up-coming drummers and has certainly giving them a platform and outlet to stage their talent. The organisers have toiled selflessly to make sure this event happens year on year and it has been a passion driven event and a real labour of love and, as a result, the drumming community has grown richer.

Up until now, this event has been staged at the Royal Spa Theatre in Leamington Spa, but this year moved to the Oakengates Theatre in Telford, Shropshire, an obvious choice to tie into their new key sponsors, Telford Culture Zone, Telford & Wrekin Music and Foretel.The musical instrument industry also plays a big part with equipment this year being provided by Pearl Drums, Paiste Cymbals, Evans drumheads and Baskey with the industry represented by Samantha Slater (Drummer magazine), Kevin Morris (DW), Mark De Cloedt (Pearl Europe), Ron Fry (Hudson Music) and drummers Ian Palmer, Jason Bowld and James Hester amongst others.

Mike and Gerry were the MC’s and began by thanking all sponsors and proceeded to introduce the judging panel who were made up of professionals from all walks of the music industry: Bob Henrit (Musician and Music Critic), Ralph Salmins (Session Great – Robbie Williams/Van Morrison), Troy Miller (Session Great – Amy Winehouse/Mark Ronson), Omar Abidi (Fightstar), Cherisse Osei (Mika), Bob Knight (Musical Director – Charlotte Church) and Ade Holbrooke (Music Motivator)

The disciplines for each finalist were explained; the format of the show was in two halves with five finalists playing in the first half and five in the second. During each break to allow for the equipment to be changed, the judges would call in each of the finalists to access their attitude and approach to their performances. It has to be said that the standards were astoundingly high on all counts - precision, dynamics, energy, groove, feel and individual showmanship and the audience experienced drumming from so many genres - rock, metal, jazz, funk and drum ‘n’ bass - showing off the players maturity at this early level.

 

Richard Rayner

At the age 14, Richard sits behind the kit a little bolder in his personal appearance than last year with the distinctive Mohican hair. Richard qualified as a finalist for the 2008 event and his performance was a marked improvement in each aspect - context, precision, control and personality. His dynamic approach to his solo made a definite impression on his solo presentation, controlling the texture and intensity of his content made it conversational. His interpretation of his set piece was driven by a smooth and even sense of musicality with a conscious effort to deliver the piece as a band – certainly an impressive execution. His improvised set-piece required spontaneity and to listen intently whilst holding down the groove only added to his impressive performance. To hold this together at such a tender age is simply remarkable

The stage was cleared and prepared for the all important announcement - Paul Davis from Telford Culture Zone announced the results and an elated and surprised Richard Rayner emerged as the winner of ‘Young Drummer of the Year’ 2009. Elated and visually surprised he stepped up to collect his award to rapturous applause.

To get an insight to their decision, the judges were asked for their final conclusions:

"Given that all the guys could solo well, otherwise they wouldn’t have made it into the final, Richard was more prepared than the others. He had worked hard on the compulsory pieces and only he, and one other, had taken the time to sketch out a part for the second piece which they had only been presented with that morning. He made eye contact with the musicians he was playing with and was able to feed from them. And he made it blindingly obvious to the audience he was having a good time. Job done!! The key element was: PREPARATION" – Bob Henrit (Musician and Music Critic)

"I was impressed with Richard''s overall approach to the drums and, more importantly, the music. Richard was listening intently to the other musicians and was blending with them beautifully. He was hitting like a mature player, giving the correct weight and feel to the backbeats which made him sound like a seasoned drummer. His time, feel, groove, fills, balance and overall sound were without a doubt very high quality. His ability to strike the instrument with authority and ability to play the memorised tune accurately were also main factors that made him the best drummer of the day." – Ralph Salmins (Session Great – Robbie Williams/Van Morrison)

"Ultimately, the key to being a great drummer lies in the responsibility of being a good musician. Out of the 10 finalists, Richard emerged as a sensitive musician who paid attention to feel and playing for the music. As a soloist, he had flare and showed confidence without any sign of arrogance. All the finalists show amazing potential if they persist and keep the zeal which they ALL share. I really enjoyed the day, so thanks to everyone!" – Troy Miller (Session Great – Amy Winehouse/Mark Ronson)

"For me, what made him stand out from the crowd was his attitude, and his all round ability and proficiency. There were other guys there that were better than him in certain areas, but he was an all rounder with a great head on his shoulders that will see him go far, as long as he keeps that level headed attitude." – Omar Abidi (Fightstar)

"I thought the overall standard was very good and I particularly enjoyed the different stylistic approaches to the song the guys got in advance. For me it was very close between 2 drummers and Richard just edged it overall. My main criteria were feel, pocket, musicianship and communication. Richard showed deep pockets, excellent dynamic & stick control, great communication both with the audience and band members and it ''felt'' great. He looked like he was enjoying it too!" – Bob Knight (Musical Director – Charlotte Church)

"Richard had all the elements of a great musician. He had an amazing groove, feel and sense of time and his energy was unbelievable! He communicated with the other two musicians on stage, led them and even made them up their game! Richard has a very bright future ahead of him & I wish him the best of luck!" – Cherisse Osei (Mika)

"There was no question that Richard along with the other finalists had the playing ability to stand on the stage as a potential winner of The Young Drummer of the Year 2009. He did however have an equally striking personality which certainly grabbed everyone’s attention both on stage and during the interview process. His feel and dynamics during his solo and the tracks with the musicians were evident throughout his performance and it is clear that on this, his 3rd time as a finalist, he has the determination and dedication needed for a career in the music industry." – Ade Holbrooke (Musical Motivator)

I approached Richard Rayner after the event to throw him a few questions about holding this year’s winning torch.

What''s it like to win Young ‘Drummer of the Year’?

It’s been hectic - was up at 2.30 yesterday to go on BBC news. Absolutely loving it! Winning YDOTY is the total sum of all the practice and work that I have put in . I am really thankful for the help and support that has been given to me by Mike, Gerry and all the team and judges. All the comments and messages that I have received since winning have been fantastic. I am really excited about the year ahead.

This is your 2nd attempt - what did you learn from the competition the first time round?

It’s actually my 3rd attempt at YDOTY this year. When Mike and Gerry talk about every one of the finalists being winners, it’s true. Although I did not win the last 2 years, I came away learning many new things from the other contestants (all of these guys are really good) and by being involved in such a professional environment. You really do meet some great people. Once you have gone through it, you really look forward to the next year.

What is your recommendation for anyone thinking of entering the competition next year?

My recommendation for anyone entering the competition would be to give yourself the best chance of selection by taking your time to submit a good entry. If you are successful, take time to enjoy the day and the company. Be yourself in your playing style and play to your strengths. And finally understand what the format of the day is about and practice, practice, practice!

Review Report: Jerome Marcus

 
 

Ford Drums - The Ferrari of Drums